Paula Matthusen is a composer who writes both electroacoustic and acoustic music and realizes sound installations. In addition to writing for a variety of different ensembles, she also collaborates with choreographers and theater companies. She has written for diverse instrumentations, such as “run-on sentence of the pavement” for piano, ping-pong balls, and electronics, which Alex Ross of The New Yorker noted as being “entrancing”. Her work often considers discrepancies in musical space—real, imagined, and remembered.
Her music has been performed by Dither, Mantra Percussion, the Bang On A Can All-Stars, Alarm Will Sound, International Contemporary Ensemble (ICE), orchest de ereprijs, The Glass Farm Ensemble, the Estonian National Ballet, James Moore, Kathryn Woodard, Todd Reynolds, Kathleen Supové, Margaret Lancaster and Jody Redhage. Her work has been performed at numerous venues and festivals in America and Europe, including the Tanglewood Festival of Contemporary Music, the MusicNOW Series of the Chicago Symphony Orchestra, the Ecstatic Music Festival, Other Minds, the MATA Festival, Merkin Concert Hall, the Aspen Music Festival, Bang on a Can Summer Institute of Music at MassMoCA, the Gaudeamus New Music Week, SEAMUS, International Computer Music Conference and Dither’s Invisible Dog Extravaganza. She performs frequently with Object Collection, and through the theater company Kinderdeutsch Projekts.
Awards include the Walter Hinrichsen Award from the American Academy of Arts and Letters, a Fulbright Grant, two ASCAP Morton Gould Young Composers’ Awards, First Prize in the Young Composers’ Meeting Composition Competition, the MacCracken and Langley Ryan Fellowship, the “New Genre Prize” from the IAWM Search for New Music, and recently the 2014 Elliott Carter Rome Prize. Matthusen has also held residencies at The MacDowell Colony, Yaddo, create@iEar at Rensselaer Polytechnic Institute, STEIM, and the Atlantic Center for the Arts. Matthusen completed her Ph.D. at New York University – GSAS. She was Director of Music Technology at Florida International University for four years, where she founded the FLEA Laptop Ensemble. Matthusen is currently Associate Professor of Music at Wesleyan University, where she teaches experimental music, composition, and music technology.
- 11 May 2018
- Ladies First
ins frische Segensspruch performed by the Kathleen Supové and Sharon Harms as part of Ladies First at the National Opera Center. Show begins at 7:00 p.m.
- 29 Apr 2018
- Anticausal Systems Kickoff Party
Performing live-electronics as part of the celebration for the launch of the Anticausal Systems Label, spearheaded by Philip White! Show is at JACK and begins at 7 pm.
- 27 Apr 2018
- Wellesley College – Guest Lecture
Giving a guest lecture at Wellesley College related to interactivity and electronics.
- 21 Apr 2018
- Mazumal performs of minutiae and memory
Mazumal performs of minutiae and memory at CNMAT (UC Berkeley)! Show starts at 8:00 p.m.
- 10 Apr 2018
- of minutiae and memory at Hartt
Olivia J.P. Harris and Felicia Chen perform of minutiae and memory at the Hartt School!
- 9 Apr 2018
- NYNME performs “of whole movements and migrations”
- 4 Apr 2018
- New Music Miami
Keith Kirchoff performs AEG/III at New Music Miami! Show starts at 7:30 p.m. at Miami Beach Urban Studios.
- 30 Mar 2018
- Synth Nights: Composers Inside Electronics
The amazing Composers Inside Electronics celebrates its 40th anniversary at the Kitchen with pieces and/or performances by Paul DeMarinis, Phil Edelstein, Ralph Jones, Cecilia López, John Driscoll, Ron Kuivila, Margaret Anne Schedel, John Driscoll, Tom Hamilton, Michael Johnsen, and David Tudor. the old language is the old language, with its lance and greaves, broken shields and hammered vowels is included as part of the line up, and to be performed by Cecilia Lopez and Dina Maccabee!
- 24 Mar 2018
The Stephen Petronio Company’s revival of Merce Cunningham’s Signals at the Joyce continues! Delighted to be performing with Composers Inside Electronics as part of the performance.
- 23 Mar 2018
- 16 Mar 2018
- CMMAS Residency
Beginning new project with choreographer Abigail Levine at CMMAS! More details of the project to come soon.
- 11 Mar 2018
- Antenna Studies Premiere
- 10 Mar 2018
- Splinter Reeds @ Blue Sage
Dana Jessen performs of an implacable subtraction at Blue Sage Center for the Arts as part of a series of performances and collaborations with Splinter Reeds.
- 7 Mar 2018
- glass meets water
glass meets water featured as part of the New Music Miami ISCM Series!
- 22 Feb 2018
- Pawel & Ebola